This is not a landscape in the conventional sense, but a memory of the artist’s native river, as seen through his inner world. The river becomes a boundary between reality and memory, between what exists on the outside and what a person holds within. The mountains are depicted not as a specific place, but as a sense of one’s homeland. The water reflects not only the sky but also emotions, which is why the colors dissolve and blend into one another. The stars descend so low that they seem to be part of the landscape. They symbolize hope, dreams, guiding lights, and the light that a person carries within themselves. The square fragments by the water resemble a mosaic of memory. The image of one’s homeland is composed of a multitude of small memories. They are not shattered—on the contrary, a unified picture of the world emerges from these individual pieces. This work explores the idea that one’s true homeland exists not only on a map. It continues to flow within a person, like a river, reflecting their past, present, and future.