The architecture of time

This is not a painting in the usual sense. It is a fragment, as if removed from a wall that has survived decades. A trace of time left in the material. The work is created at the intersection of painting and architectural relief. What is important here is not decorativeness, but the flesh of the surface. Not color as decoration, but color as evidence of time. There is no desire to be liked in this work. There is only a desire to hold your gaze. To make you remember: where have you seen this before? In concrete? In a dream? In a ruined city? The work is suitable for interiors with a powerful character: lofts, industrial spaces, conceptual apartments, art spaces, designer showrooms. The painting consists of four parts (50×120, 35×120, 25×120 and 50×120 cm), is made on artboards, on stretchers. It can be placed in a dense linear arrangement or at intervals. Each module is an independent gesture, but together they create a unified field of temporary architecture.