While working on this project, I immersed myself in studying David Lynch’s vision—not as a filmmaker, but as an artist I analyzed his paintings, drawings, and sketches, trying to grasp not the aesthetics themselves, but his way of thinking—a unique method of recreating reality through the prism of the unconscious, memory, and dreams Inside the human mind, images exist in fragments, intermingling with one another; they represent metaphors, snippets of memories, and conversations, it is rarely a cohesive whole; rather, it consists of pieces of a mosaic that can come together and fall apart, forming something whimsical and strange When I was thinking about the title, it was important to me to convey the idea of duality, since the theme of doppelgängers is central to the source material; I reflected on the twin that everyone has: the “real me” and the “social me.” This resonates with me personally, since I am currently in the midst of a deep process of self-discovery and of rejecting the many stereotypes, descriptions, and images that have already become ingrained in my outer shell